ABOUT

The DECOMPOSITION SERIES deals with sonic signals that usually remain undetected by our limited human senses. Our ears only catpture 20000 different frequencies (at least in it’s beginning). The older we grow the less we hear. Our eyes are too slow to register movements of higher speed among many other blinspots – in fact they can easily be tricked. These limitations have probably been established to our brain’s benefit, to prevent an overload. Anyhow technical developments, their unintended use or modification can help us overcome this natural barriers and experience what is found beyond our human threshold. kutin | kindlingers Decompositions are glimpses from layers of hidden realities. Zones and elements that we might expect to be there, but that are beyond an obvious sensual exoperience.

INTERVIEW – in German only
https://www.musicaustria.at/das-erleben-gibt-das-resultat-vor-kutinkindlinger-im-mica-interview/

RELEASES (LP /w Photoprints + all digital formats) :
DECOMPOSITION I – III
DECOMPOSITION IV
Since kutin | kindlinger use the unheard to compose, they decided to name this process : Decomposition. Till now four parts were realised :


I – Desert Sound

(Atacama Desert /sound of human relicts and traces within the driest region on earth)

II – E# – a glacial tune
(amplification of the room-resonances inside a glacial crevasse)

III – Illusion
(The Las Vega’s Strip / electromagnetic fields of neon signs, LED …. various light sources found along the strip)

IV – Variations on bulletproof glass
(Sounds emitted inside a bulletproof glass-pane while being destroyed)
Live performances happen on a regular basis.

 

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